Happy birthday to Asha Parekh.

Happy birthday to Asha Parekh.

The viewers of bollywood films wish happy birthday to Asha Parekh on 2nd October, 2010. She had been a dancing legend of the 60s. Bollywood industry is indebted to her for her brilliant performance in various films.

She started her career opposite Shammi Kapoor in the film Dil Deke Dekho in 1959. The film did great business with hit songs composed by Usha Khanna including “dil deke dekho” sung by Rafi. After that she acted in musical blockbusters most of which were directed by Nasir Hussain. She was sublime in the film Jab Pyar Kisi Se Hota Hai opposite Dev Anand. The songs in the film composed by Shankar Jaikishan like “sau saal pehle”, “yeh ankhe uff yumma”, “teri zulfon ki”, “jiya ho” became rich assets of history.

Asha Parekh had a fantastic combination with Joy Mukherjee. Her films Ziddi, Phir Wohi Dil Laya Hoon and Love in Tokyo became superhit. Phir Wohi Dil Laya Hoon was shot in Kashmir, while Love in Tokyo was shot in Japan. The romantic scenery entertained the viewers. The songs in most of these films composed by OP Nayyar and Shankar Jaikishan stormed box-office. The most famous songs included “banda parwar”, “lakhon hai nigahon me”, “raton ka sila”, “nazneen bara rangin hai wada tera”, “japan, love in Tokyo”, “hume tum mil gaye humdum”, “o mere shahekhuba”, etc. Similarly Asha Parekh’s combination with Biswajeet and Shammi Kapoor was very grand. Her film Mere Sanam with Biswajeet was another musical blockbuster. All the songs of the film like “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum bhala mano bura mano” sung by Rafi stormed box-office in the mid-60s.

Asha Parekh played many serious roles in films like Chirag opposite Sunil Dutt, Kati Patang opposite Rajesh Khanna, Upkaar opposite Manoj Kumar, etc. She got critical acclamation for performance in the film Chirag. Asha Parekh dancing skills gave her a separate recognition during an age when actresses like Vaijayantimala, Rajashree, Mumtaz, Padmini were already created sensation in bollywood.

Asha Parekh’s performance in the film Carwan opposite Jeetender requires special mention. She proved her dancing skills opposite other renowned dancers in the film like Helen and Aruna Irani. She also acted in character roles in films like Bulandi, Kaalia, etc., in the 80s. The viewers expect her to continue the great work in character roles in the years to come.

Raj Khosla and bollywood films.

Raj Khosla and bollywood films.

Born in 1925 and died in 1991, Raj Khosla was considered by critics to be the path-breaker in crime-thriller films. His film CID in 1955, created a trend in respect of crime thrillers. He introduced Wahida Rehman and Shakila in the film. The music of the film composed by OP Nayyar was also impressive with hit songs of Rafi like “ankhon hi ankho me ishara ho gaya”, “leke pehla pehla pyar”, etc.

His film Solwa Sal, involved Wahida Rehman being eloped by her boyfriend but later on brought back home by a journalist. In Bombai Ka Babu, there was a killer who entered into the family of the person he killed and then had an affair with the sister of the deceased. Dev Anand and Suchitra Sen played the lead roles in the film.

The 60s saw Raj Khosla’s musical blockbusters. His film Ek Musafir Ek Haseena with Joy Mukherjee and Sadhna stormed bollywood. The songs composed by OP Nayyar for Rafi and Asha were super hit including “bahut shukriya bari meherbani”, “aap yuhi agar”, “hume dekhakar aapka muskurana”, etc. The shooting in Kashmir also raised interest in the minds of the viewers. In 1964, Raj Khosla came up with probably one of the greatest spooky films in bollywood, with the title “Woh Kaun Thi”. Sadhna played the roles of the two sisters who were exploited by Prem Chopra to terrorize Manoj Kumar and get his property. At the end of the film the secret was revealed. The music composed by Madan Mohan was brilliant with landmark songs like “naina barse”, “lagja gale”, etc.

Raj Khosla continued with horror films with Mera Saya and Anita where Sadhna played the role of the ghosts. Sunil Dutt acted opposite Sadhna in Mera Saya while Manoj Kumar acted opposite her in Anita. The music was impressive again.

In the mid-60s Raj Khosla again returned back to romantic dramas like Do Badan with Manoj Kumar and Asha Parekh. The music of Ravi with impressive songs like “jab chali thandi hawa”, require special mention. He also made films related to stories of dacoits like Mera Gaon Mera Desh with Dharmender. His last successful film included Mai Tulsi Tere Angan Ki. Both Nutan and Asha Parekh did well in their respective roles in the films. His other films like Do Badan and Dostana were impressive, but whenever the viewers remember the name of Raj Khosla, the first impressive comes in respect of horror stories and crime thrillers like Mera Saya and Who Kaun Thi. The films should be preserved and restored.

Rafi's soft number composed by Shankar Jaikishan.

Rafi’s soft numbers composed by Shankar Jaikishan.

Mohammad Rafi was the virtual ruler of world of playback singing in the 60s. As far as his combination with Shankar Jaikishan is concerned, generally the loud numbers gather popularity due to the pomp and grandeur of those songs.

For example Rafi’s song “chahe koi mujhe jungle kahen” in Junglee, picturised on Shammi Kapoor, “kaun hai jo sapno me aya” in Jhuk Gaya Aasman picturised on Rajender Kumar, “jiya ho jiya ho jiya kuch bol do” in Jab Par Kisi Se Hota Hai, picturised on Dev Anand, “Japan, Love in Tokyo”, in Love in Tokyo, picturised on Joy Mukherjee, “april fool banaya, in April Fool picturised on Biswajeet , etc., were the most popular songs of those films. Shankar Jaikishan’s innovative orchestrations were involved with all these songs.

But if SJ’s softer numbers are looked at they provided gems for Rafi during the 50s and 60s. In Shammi Kapoor’s Junglee, “ehsaan tera hoga mujhpar” was a masterpiece where Rafi’s romantic presentation can take anyone to a different world. In Rajender Kumar’s Humrahi, “mujhko aapne gale lagalo” was a brilliant song where Rafi’s andaz was as outstanding as that of Mubarak Begum. Aye Milan Ki Bela had evergreen gems embedded in them. All the soft numbers of Rafi like “tum khamseen ho”, “to bura maan gaye”, “o sanam tere ho gaye hum” created everlasting appeal in the minds of the youth of the 60s.

SJ matured into the country most glamourous western composers by mid-60s. Rafi’s brilliant voice was complimented by superlative utilization of western instruments in most of the songs of SJ during that period. In Biswajeet’s April Fool Rafi’s presentation of “aa gale lag ja” showed him to be a Hollywood singer whose rendition had Western andaz. In Joy Mukherjee’s Love In Tokyo, Rafi presented the seductive andaz in the song “aaja re aa zara aa” which can put anyone to sleep. Rafi’s ghazal andaz in the same film “o mere shahe khuba” had equally everlasting appeal.

In Rajender Kumar’s Zindagi, “pehele milethe sapno me” showed Rafi’s effortlessness in rendering romantic songs. All the songs of Rajender Kumar’s Aman were brilliant. Especially “surahidar garden koel si hi awaz”, and “aaj ki raat” had Rafi’s powerful level of intonation to back up SJ’s romantic andaz. Besides the orchestration had Japanese flavor.

In Shammi Kapoor’s Professor, “awaz deke hume tum bulayo” created the tempo for the film. All the duets in that film created sensation including “mai chali mai chali”. Rafi complimented Lata in most of the duets backed by SJ’s effective use of sexaphone. In Shammi Kapoor’s An Evening in Paris, Rafi’s measured number in the duet song “raat ke humsafar” probably had the most intoxicating appeal in the entire film as against the loud numbers like “aasmaan se aya farishta”.

Rajender Kumar’s musical blockbuster Aarzoo, probably had Rafi at his best. If “aye nargisi mastana” showed Rafi’s effortlessness, “aji hum se bachkar” showed Rafi’s classical control, where as “chalke tere aankho sharab aur ziada” showed Rafi’s brilliant ghazal andaz. Rafi was at his best in Rajender Kumar’s Suraj as well. All the songs in the film had grand appeal. Probably the songs “kaise samjhayun” and “baharon phool barsayo” received the viewers’ attention. But “gustaqi maaf” and “itna hai tujhse pyar mujhe” were more melodious.

Shammi Kapoor’s Brahmchari had the theme music “mai gayun tum so jayo”. The song had been played a number of times by Shankar Jaikishan once too slowly while the other at a faster pace. Rafi was equally romantic in both the songs. Besides “dil ke jharoke me” was an experiment of SJ asking Rafi to sing at a high note which he did in style. In Shammi Kapoor’s Raj Kumar “tumne kisi ki jaan ko jate hue dekha hai” and “yeh rangbirangee duniya me” Rafi’s romantic rendition appealed to the masses.

In Dharmender’s Pyar Hi Pyar, Rafi showed the ghazal andaz in the song “dekha hai teri aankho me pyar hi pyar beshumar”. In Jeetender’s Mere Huzoor, Rafi’s song “rukh se zara naqab, uta do mere huzur” expressed the shy delivery of the hero. In Raj Kumar’s Lal Patthar “unke khayal aye to” showed Rafi’s royal andaz or probably the badshahi andaz in delivering as the characters were related to Indian history of kings.

In Dev Anand’s Pyar Muhobbat, “dil ki awaz khuda khair Karen” had an enchanting appeal. Again Rafi’s seductive andaz in Manoj Kumar’s Gumnaam in “jane chaman shola badan” entertained the viewers and listeners. Rafi presented the songs in Uttam Kumar’s Choti Si Mulakat also with stylish westernized manner. Viewers can also cherish Rafi’s song “tum hi tum ho” in Raj Kapoor’s Ek Dil Sau Afsane picturised on Raj Kapoor. “Khuda bhi aasman se” in Rajender Kumar’s Dharti is still unforgettable even today. The list of SJ’s soft numbers for Rafi can go on.

Some way or the other SJ’s relationship with Rafi never got predominance due to erroneous interpretation of Shankar Jaikishan over the years by the media. Just because SJ were associated with Showman Raj Kapoor in almost 20 films, so the entire focus went to Mukesh and Manna Dey’s songs composed by SJ. But if the rest of SJ’s creations in almost 170 films are analysed it will be seen that Rafi had sung almost 800 songs for SJ, which include more than 20 films of Shammi Kapoor, 10 films of Rajender Kumar, 7 films of Dev Anand, 3 films of Dilip Kumar, to name a few. The films and the songs should be revisited.

Happy birthday to Asha Parekh.

Happy birthday to Asha Parekh.

The viewers of bollywood films wish happy birthday to Asha Parekh on 2nd October, 2009. She had been a dancing legend of the 60s. Bollywood industry is indebted to her for her brilliant performance in various films.

She started her career opposite Shammi Kapoor in the film Dil Deke Dekho in 1959. After that she acted in musical blockbusters most of which were directed by Nasir Hussain. She was sublime in the film Jab Pyar Kisi Se Hota Hai opposite Dev Anand. The songs in the film composed by Shankar Jaikishan like “sau saal pehle”, “yeh ankhe uff yumma”, “teri zulfon ki”, “jiya ho” became rich assets of history.

Asha Parekh had a fantastic combination with Joy Mukherjee. Her films Ziddi, Phir Wohi Dil Laya Hoon and Love in Tokyo became superhit. The songs in most of these films composed by OP Nayyar and Shankar Jaikishan stormed box-office. The most famous songs included “banda parwar”, “raton ka sila”, “nazneen bara rangin hai wada tera”, “japan, love in Tokyo”, “hume tum mil gaye humdum”, etc. Similarly Asha Parekh’s combination with Biswajeet and Shammi Kapoor was very grand. Her film Mere Sanam with Biswajeet was another musical blockbuster. All the songs of the film like “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum bhala mano bura mano” sung by Rafi stormed box-office in the mid-60s.

Asha Parekh played many serious roles in films like Chirag opposite Sunil Dutt, Kati Patang opposite Rajesh Khanna, Upkaar opposite Manoj Kumar, etc. Asha Parekh dancing skills gave her a separate recognition during an age when actresses like Vaijayantimala, Rajashree, Mumtaz, Padmini were already created sensation in bollywood.

Asha Parekh’s performance in the film Carwan opposite Jeetender requires special mention. The viewers expect her to continue the great work in character roles in the years to come.

Happy birthday to Saira Banu.

Happy birthday to Saira Banu.

The viewers of bollywood films wish happy birthday to Saira Banu on 13th August, 2009. She used to be called beauty-queen of the 60s. Acting was there in her blood with her mother Nasim Banu doing well in many films in the 40s.

Saira Banu started her career with the film Junglee opposite Shammi Kapoor in 1961. The brilliant music of Shankar Jaikishan given in the film and exotic locations of Jammu and Kashmir flabbergasted the audience in the early 60s. All the songs in the film were super hit including “suku suku”, “meri yaar shabba khair”, “ehsaan tera hoga mujhpar”, “Kashmir ki kali hun mai”, to name a few.

Saira Banu went on to give hit after hit with Biswajeet and Joy Mukherjee as well. With Biswajeet her film April Fool became super hit. The songs of SJ again created storm including “april fool banaya”, “aa gale lag jaa”, etc. With Joy Mukherjee Saira Banu’s film Shagird stormed box-office in 1967. All the songs of Rafi and Lata were hits including “dil vil pyar vyar”, “woh hai zara khafa khafa”, “o bare miya diwane”, “duniya mehfil hai”, etc.

Saira Banu’s combination with Rajender Kumar was well accepted by the audience. All the three films opposite Jubilee Kumar including Ayee Milan Ki Bela, Aman and Jhuk Gaya Aasman became super hit. The songs of all those films composed by SJ again struck box-office. Prominent songs included “o priya kaun hai jo sapno me aya”, “tum khamseen ho”, “kahan chal diye”, “surahidar garden”, etc. Saira Banu balanced the powerful performance of Rajender Kumar in those films.

After marrying Dilip Kumar, Saira Banu acted in a number of films opposite him including Sagina, Gopi and Bairaag, most of which did well in the box-office. Her films with Raj Kapoor titled Diwana and Dev Anand titled Par Muhabbat did good business mainly due to hit music of Shankar Jaikishan. The songs of those films including “ai sanam jisne tujhe chaand si surat di hai”, “dil ki awaz khuda khair Karen” still remain the landmarks of Indian film music. Even Saira Banu’s comedy films like Parosan opposite Sunil Dutt, Kishore Kumar and Mehmood did brilliant business.

From the mid-70s Saira Banu faded away from the industry before acting in films opposite Big B like Zameer and Hera Pheri. The viewers expect her to contribute in bollywood films in character roles again.

Joy Mukherjee and OP Nayyar.

Joy Mukherjee and OP Nayyar.

Joy Mukherjee gave hits after hits during 60s films and became extremely popular in an age when inspite of domination of Showman Raj Kapoor and Tragedy King Dilip Kumar, stars of various capabilities displayed their individual skills which include Rajender Kumar, Pradeep Kumar, Bharat Bhushan, Shammi Kapoor and others. The music of the films of Joy Mukherjee played a very significant role in their success and in that context OP Nayyar’s name comes without hesitation.

Joy Mukherjee’s film Ek Musafir Ek Hasina did brilliant business in the early 60s. Raj Khosla’s musical thriller addressed every section of the society with romantic performance of Joy Mukherjee and Sadhna. All the songs of Rafi and Asha picturized on Joy Mukherjee and Sadhna became super hit. It includes songs like “aap yuhin agar humse milte rahe”, “mujhe dekhkar aapka muskurana”, “phir tere shahar me”, “mai pyar ka rahi hoon”, “bahut shukhriya, bari meherbani”, “humko tumhari isqh ne”, to name a few. OP Nayyar was probably at his best in the film and his blend of eastern and western music created the romantic mood for the film.

Joy Mukherjee, Rafi and OP Nayyar’s magical combination continued in the film Phir Wohi Dil Laya Hoon. Most part of the film was shot at picturesque locations of Jammu & Kashmir and the landscape was as romantic as the songs sung by Rafi and Asha in the film. The prominent songs included “banda parwar, thamlo jigar”, “lakho hai nigahon me”, “nazneen bara rangeen hai wada tera”, “aanchal me sajalena kaliyan”, “zulf ke chayon me chehere ka ujala lekar”, to name a few. Asha Parekh showed her dancing skills to perfection in the film. Rajender Nath played the role of the relief character in the film. In fact OP Nayyar maintained the same standard of music in Shammi Kapoor’s film Kashmir Ki Kali and Biswajeet’s film Mere Sanam which were made after Phir Wohi Dil Laya Hoon.

Joy Mukherjee’s combination with OP Nayyar continued in the film Humsaya. In that film Sharmila Tagore got the lead role opposite Joy Mukherjee. By that time due to emergence on new actors and actresses in bollywood films, Joy Mukherjee’s popularity declined and the film also did moderate business. In respect of the songs, Rafi’s song “dil ki awaaz bhi sun” became hit. But OP Nayyar gave a number of songs to Mahendra Kapoor was well which did not strike gold in the box –office.

In the 70s, with the advent of action films led by Big B, Vinod Khanna and others, Joy Mukherjee faded away from the film arena. Even OP Nayyar’s music in films like Ek Baar Muskurado did not create storms the way it did in the 60s. The films of Joy Mukherjee and OP Nayyar should be preserved for their immense musical value.

Shankar Jaikishan and Shammi Kapoor

Shankar Jaikishan and Shammi Kapoor.

Shankar Jaikishan was probably the most versatile musical duo that India had ever produced in the history of bollywood films. They had given music to probably all the leading actors of bollywood films from 40s to 70s including Raj Kapoor, Dilip Kumar, Rajender Kumar, Raj Kumar, Manoj Kumar, Joy Mukherjee, Biswajeet, Shashi Kapoor, Dev Anand, etc., to name a few. They had a special contribution in the films of Shammi Kapoor. Whenever they gave music in Shammi Kapoor’s films, both the music rocked and the film stormed bollywood.

In fact they created the rock and roll andaz of bollywood films and gave Shammi Kapoor his identity in the same lines as Rock Hudson and Elvis Priestley in Hollywood Films. Their music in the film Junglee where Saira Banu acted opposite Shammi Kapoor, was super hit with successful songs of Rafi and Lata including “ehsan tera hoga mujhpar”, “meri yaar shabba khair”, “Kashmir ki kali hoon mai”, etc. The songs of the film Janwar where Rajashree acted opposite Shammi Kapoor, were equally hit with songs of Rafi and Lata like “tumse accha kaun hai”, “lal chari maidan khari”,etc.

All the songs of Professor, where Kalpana accompanied Shammi Kapoor, became super hit like “o gulbadan, o gulbadan”, “awaz deke hume tum bulayo”, etc., again sung by Rafi and Lata. All the songs of Raj Kumar where Sadhna was the heroine of Shammi Kapoor, became super duper hit, like “tumne pukara aur hum chale aye”, “aaja ai bahar”, etc., sung by Rafi and Lata.

SJ and Shammi Kapoor bollywood films with the film An Evening in Paris, where all the songs of Rafi like “aji aisa mauka phir kahan milega”, “akele akele kahan ja raheho”, “raat ke humsafar”, “mera dil hai tera”, “aasman se aya farishta”, became super duper hit. Sharmila Tagore acted opposite Shammi Kapoor, and the locations of France and Niagra Falls in US and Canada amazed the Indian audience.

SJ and Shammi Kapoor were sublime in the film Brahmchari. Shammi Kapoor acted with many small children who were cared by him. Rajashree acted opposite him in the film. The hit songs of Rafi and others included “mai gayun tum so jayo”, “dil ke jharoke me tujhko uthakar”, “chakke me chakka”, “aaj kal tere mere pyar ke charche har jawan par”, etc., to name a few. Shammi Kapoor received filmfare award for the best actor in the film Brahmchari. Shankar Jaikishan received filmfare award for the best composer 9 times, and also got it for composition of music for the film Brahmchari.

The SJ and Shammi Kapoor combination again rocked bollywood films with their performance in the film Prince with Vaijayantimala. SJ’s powerful orchestration had encouraged the director to keep a dance competition where Helen performed western dance where as Vaijayantimala performed eastern dance. Shammi Kapoor showed his own style of rock and roll. The successful songs included “muqabla hum se na karo”, “badan pe sitaren lapete hue”, “thandi thandi hawa me urta jaye”, etc.

The other successful films of SJ and Shammi Kapoor included Latt Sahab with Nutan. The successful songs included “sawerewali gari se”, “ai chand zara chup ja”, etc. The other hit film included Tum Se Accha Kaun Hai with Babita. The hit songs included “janam janam ka saath hai”, “kisko pyar karun”, etc.

The last film of SJ with Shammi Kapoor was Andaz in 1971. Jaikishan died in 1971, and Shammi Kapoor added weight and stopped acting as a hero after andaz. Even in that film the songs of Rafi, Suman Kalyanpur and others were super hit like “haina bolo bolo”, “re mamma re mamma re”, “dil use do jo jaan deden”, etc. Hema Malini acted opposite Shammi Kapoor and the film became hit.

With the death of Jaikishan in 1971, it marked the end of an era with exotic locations and rock and roll music. Shammi Kapoor and Shankar Jaikishan had a very unique relationship and the films and music should be restored to acknowledge that relationship.

Joy Mukherjee and Asha Parekh.

Joy Mukherjee and Asha Parekh.

Joy Mukherjee and Asha Parekh had performed in successful films in the 60s which had picturesque locations, romantic music and decent stories. They were extremely successful in the film Phir Wahi dil Laya Hoon.

The film was mainly shot at Jammu & Kashmir and OP Nayyar’s compositions in the film had created a lasting effect for generations. Rafi and Asha’s songs “banda parwar”, “lakho hai nigahon me”, “zulf ke chaon me chehereka ujala lekar”, “aanchal me saza lena kaliya”, “naznee bara rangeen hai wada tera”, “aji kibla mohe tarma”, etc., had all become legendary creations over the years. Asha Parekh went to Kashmir with her friends and entered into an affair with Joy Mukherjee. Pran created problems at the by pretending as an impostor. Rajendernath showed his comedy skills in the film.


Both of them did well in the film Ziddi. Asha Parekh was very adamant about whatever she liked to have in life. Joy Mukherjee came to their house and taught her to be patient and have tolerance like her sister played by Nazima. The music composed by SD Burman is worth mentioning with songs like “teri surat se”, “bolo bolo bolo bolo” sung by Rafi, “pyar ki aag me’ sung by Manna Dey, etc. the comedy portion performed by Mehmood, Dhumal and Subha Khote require special mention.


Probably the greatest hit of Joy Mukherjee and Asha Parekh was the film Love in Tokyo. The film was shot in Tokyo, which added the attraction for the viewers along with strong music composed by Shankar Jaikishan. Songs like “Japan, love in Tokyo”, “aaja re aa zara aa”, “o mere shahe khuba”, “hume tum mil gaye humdum”, sung by Rafi and Lata stormed bollywood in the mid-60s.


Besides, Pran had kidnapped the nephew of Asha Parekh and created obstacles in the marriage of Joy Mukherjee and Asha Parekh in different ways. Lalita Power, the mother of Joy Mukherjee did not accept Asha Parekh as the daughter-in-law initially, which was resolved at the end of the film. Although these films did not provide any messag to the audience, they had entertained them to the fullest extent. The films should be restored for those reasons.

By: Rumi Chatterji.