Bhupinder Singh: The passionate singer of bollywood:
Ghazal singers in India and other parts of the world have very limited number of audience, as the lyrics are very meaningful and require knowledge to appreciate them and the tunes also bear slow and soft image. In Indian films ghazals were used in the 50s, 60s by the thoughtful composers of that period including Madanmohan, Jaidev, Naushad, Khayyam, Shankar Jaikihsan, Roshan, etc. and sung in most cases by Mohammad Rafi and Talat Mehmood.
Bhupinder Singh, started his career as playback singer in the film Haqeeqat, in 1964, composed by Madanmohan, where he also acted as one of the soldiers who sacrificed their lives in India’s war against China. The song “hoke majboor mujhe usne bulaya hoga” was sung by Bhupinder Singh along with Rafi, Talat Mehmood and Manna Dey. Bhupinder Singh had played important instruments like different types of guitars, etc., for composers like RD Burman.
As his deep voice having intoxicating appeal suited the criteria for singing ghazals, he made major contribution in refined commercial films where tunes were not composed for commercial requirement but to impress the music lovers. If any director had done justice to the young ghazal singer it was Gulzar and Bhupinder Singh got recognition in singing important songs for his films in general.
His song “dil dhoonta hai phir wohi fursat ke raat din”, in the film Mausam , 1975, is one of the most soft ghazals Madanmohan had composed in his career. Sanjeev Kumar recollected his past while his car crossed the roads towards Darjeeling and the song was played in the background. His songs in Parichay, 1972, picturised on Sanjeev Kumar, including “mitwa” and “bite na bitay raina” exhibits his strong command over classical songs.
His two songs in Gharonda, 1977, including “ek akela is shahar me” and “do diwane shahar me” picturised on Amol Palekar, had the flavour of urbanised folk song and he was successful to blend his voice with the remote style of composition of Jaidev. There was excellent use of the violin in the song “ek akela is shahar me”. The philosophical words of Gulzar like “in umrase lambi sarko ko manzil pe pahuchte dekkha nahi, is anjabeesi shahar me jana pehchana dhoonta hai” was given right expression by Bhupinder Singh and carried the essence of the phrase the sweetest songs are those which carry the saddest thoughts. Bhupinder also brought out the pensive mood of Jaidev’s creation in the songs “zindagi, zindagi, o mere ghar ana zindagi” and “zindagi me jab tumhare gham nahi the” in Uttamkumar’s Dooriyan in 1980. He also sang a notable ghazal titled “karoge yaad to” composed by Khayyam in the film Bazaar.
Bhupinder Singh also sang notable classical songs in the film Kinara, 1977, composed by RD Burman and picturised on Jeetender and Dharmender, including “naam gum jayega”, “ek hi khwab kaibaar dekha maine”, “meethe bol bole”. The other ghazal which was successful in the early 80s included “huzur is kadar bhi na itrake chaliye” picturised on Naseeruddin Shah in the film Masoom, where Suresh Watkar accompanied Bhupinder Singh. Excepting few ghazals sung by Jagjit Singh including “tumko dekha to yeh khayal aya” picturised on Farooq Sheikh and ‘tum itna jo muskura rahi ho” from the film Arth, the use of ghazals in bollywood films almost became extinct from the mid-80s.
Bhupinder Singh restricted his passion for ghazals in his private albums. Excepting Mohammad Rafi, no other classical singer could shine above a limited level, because the mass are attracted towards popular music which in major cases include non-classical compositions. That was the reason why Manna Dey having immense control over ragas, had lesser songs than he deserved in his career. Bhupinder Singh’s songs should be restored to honour the classical and ghazal andaz of the singer that had been exhibited in refined commercial films of bollywood.
Bhupinder Singh, started his career as playback singer in the film Haqeeqat, in 1964, composed by Madanmohan, where he also acted as one of the soldiers who sacrificed their lives in India’s war against China. The song “hoke majboor mujhe usne bulaya hoga” was sung by Bhupinder Singh along with Rafi, Talat Mehmood and Manna Dey. Bhupinder Singh had played important instruments like different types of guitars, etc., for composers like RD Burman.
As his deep voice having intoxicating appeal suited the criteria for singing ghazals, he made major contribution in refined commercial films where tunes were not composed for commercial requirement but to impress the music lovers. If any director had done justice to the young ghazal singer it was Gulzar and Bhupinder Singh got recognition in singing important songs for his films in general.
His song “dil dhoonta hai phir wohi fursat ke raat din”, in the film Mausam , 1975, is one of the most soft ghazals Madanmohan had composed in his career. Sanjeev Kumar recollected his past while his car crossed the roads towards Darjeeling and the song was played in the background. His songs in Parichay, 1972, picturised on Sanjeev Kumar, including “mitwa” and “bite na bitay raina” exhibits his strong command over classical songs.
His two songs in Gharonda, 1977, including “ek akela is shahar me” and “do diwane shahar me” picturised on Amol Palekar, had the flavour of urbanised folk song and he was successful to blend his voice with the remote style of composition of Jaidev. There was excellent use of the violin in the song “ek akela is shahar me”. The philosophical words of Gulzar like “in umrase lambi sarko ko manzil pe pahuchte dekkha nahi, is anjabeesi shahar me jana pehchana dhoonta hai” was given right expression by Bhupinder Singh and carried the essence of the phrase the sweetest songs are those which carry the saddest thoughts. Bhupinder also brought out the pensive mood of Jaidev’s creation in the songs “zindagi, zindagi, o mere ghar ana zindagi” and “zindagi me jab tumhare gham nahi the” in Uttamkumar’s Dooriyan in 1980. He also sang a notable ghazal titled “karoge yaad to” composed by Khayyam in the film Bazaar.
Bhupinder Singh also sang notable classical songs in the film Kinara, 1977, composed by RD Burman and picturised on Jeetender and Dharmender, including “naam gum jayega”, “ek hi khwab kaibaar dekha maine”, “meethe bol bole”. The other ghazal which was successful in the early 80s included “huzur is kadar bhi na itrake chaliye” picturised on Naseeruddin Shah in the film Masoom, where Suresh Watkar accompanied Bhupinder Singh. Excepting few ghazals sung by Jagjit Singh including “tumko dekha to yeh khayal aya” picturised on Farooq Sheikh and ‘tum itna jo muskura rahi ho” from the film Arth, the use of ghazals in bollywood films almost became extinct from the mid-80s.
Bhupinder Singh restricted his passion for ghazals in his private albums. Excepting Mohammad Rafi, no other classical singer could shine above a limited level, because the mass are attracted towards popular music which in major cases include non-classical compositions. That was the reason why Manna Dey having immense control over ragas, had lesser songs than he deserved in his career. Bhupinder Singh’s songs should be restored to honour the classical and ghazal andaz of the singer that had been exhibited in refined commercial films of bollywood.
